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Basically, Herbert Blomstedt has always represented that type of artist whose professional competence and natural authority make all external emphasis superfluous.

His work as a conductor is inseparably linked to his religious and human ethos; accordingly, his interpretations combine great faithfulness to the score and analytical precision with a soulfulness that awakens the music to pulsating life.

The fact that he disproves the usual clichés in many respects should certainly not lead to the assumption that he does not have the power to assert his clearly defined musical goals.

Anyone who has attended Herbert Blomstedt’s rehearsals and experienced his concentration on the essence of the music, the precision in the phrasing of musical facts and circumstances as they appear in the score, the tenacity regarding the implementation of an aesthetic view, is likely to have been amazed at how few despotic measures were required to achieve this end.

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However, they are rather atypical for extraordinary personalities such as conductors.

Whatever the general public’s notion of a conductor may be, Herbert Blomstedt is an exception, precisely because he possesses those very qualities which seemingly have so little to do with a conductor’s claim to power.

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Later, he became music director of the San Francisco Symphony, chief conductor of the NDR Symphony Orchestra, and music director of the Leipzig Gewandhaus Orchestra.